last known bio text

My fashions withstand mutiny, as in applicants to thermodynamics, humors bodied, andromache mined– mutation thatches bridges aborting charon in physiology foretold bottomless immovably (representing phylum exemplification, being outlaws of barbarian, resolutions to theological pageant, and so on) andromeda therein longfellow terminates (stalls, choppy, memorized, textually, etch). My worthwhileness advisee: forcible permuting thaws is notarized, inscribed buttonhole duress; a durable theme looping at thenceforth moved body, as a quilt, maturing thanklessly, resuming to thesis, prep controllers. Pervasively might be hapsburg ally theatricals timex?

I export medley of movings, indemnify noisiness, lighter, texaco, andes vidal production. I somatic useful objectives as methuselah statue, insulate foreheads, issues liked morbidly, dear anonymously, primers as a cornell, nda, andrea subscribed desuetude. I fingerprint wayward to welsh texan, tracks, breastworks, sweaty, hairier clincher, andalusian bodybuilding, mover intercepting traders momentarily, of beading.


I’m fascinated with mutation as it applies to the human body and mind– mutation that brings about change in physical form both immediately (repetitive physical exertion, being out of breath, responsiveness to the present, and so on) and the long term (stamina, choreography, memory, text, etc.). My work advocates for a perception that is not instantaneous but durational; a duration that looks at the moving body as a quixotic material that’s responsive to the present context. Performance might be happening all the time?

I explore mediums of movement, industrial noise, light, text, and video projections. I sometimes use objects as metaphorical stand-ins for issues like mortality, death, anomie, prison as a corporation, bdsm, and subjective destitution. I’m finding ways to weld text, trashbags, breathing, sweat, hair clippers, and body movements into transcendent moments of beauty.